Titre:	Encenando a diferença em palcos metropolitanos : as trajetórias de Sara Baartman e Franz Taibosh
Autre(s) titre(s):	Performing difference on metropolitan stages : the life courses of Sara Baartman and Franz Taibosh
Auteur(s):	Dias, Juliana Braz Belizze, Geovanna
metadata.dc.identifier.orcid:	https://orcid.org/0000-0003-0316-971X https://orcid.org/0000-0002-6781-6659
Assunto::	Espetáculos etnológicos Colonialismo Baartman, Sara Taibosh, Franz Interseccionalidade
Date de publication:	30-sep-2020
Editeur:	Programa de Pós-Graduação em Antropologia Social da Universidade de Brasília
Référence bibliographique:	DIAS, Juliana Braz; BELIZZE, Geovanna. Encenando a diferença em palcos metropolitanos: as trajetórias de Sara Baartman e Franz Taibosh. Anuário Antropológico, v. 45, n. 3, p. 304-324, 30 set. 2020. DOI: https://doi.org/10.4000/aa.6697. Disponível em: https://periodicos.unb.br/index.php/anuarioantropologico/article/view/34481. Acesso em: 12 jan. 2020.
Abstract:	This article considers the “ethnological shows” that exhibited people of African origin on stages in Europe and the United States, for pseudo-educational purposes or simple entertainment. Privileging a comparative perspective, we observe the life histories of Sara Baartman, named “the Hottentot Venus”, and Franz Taibosh, known by the stage name “Clicko, the wild dancing bushman”. Their personal stories and performances on stage reveal structural processes of alterity construction that are at the very heart of imperialist projects. We argue that this notion of alterity is composed of a broad set of interrelated social markers and hierarchies.
Licença::	Copyright (c) 2020 Anuário Antropológico - (CC BY NC ND) - Este trabalho está licensiado sob uma licença Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
DOI:	https://doi.org/10.4000/aa.6697
Collection(s) :	Artigos publicados em periódicos e afins

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